Post WW II
North American Art


North American Art
After the
Second World War

Paul Cadmus

alt spelling: cadamus p cadmus

To get a larger version, click on the thumbnail version of a picture.

 

 

Lynes, Geroge Platt: Paul Cadmus 1942  Paul Cadmus

born: New York, NY, US; 17 December 1904
died: Weston, CT, US; 12 December 1999

This is the second of three galleries devoted to Paul Cadmus. The biographical survey is interleaved with the pictures. Up to this point Cadmus has established his reputation with a series of pictures which have challenged common norms of expression: annoying realtors, the navy, and the common folk with his satirical images of daily life. He has lost his first love, Jared French, to the woman who married him. While remaining friends with both of them he does not have a steady close companion to share life.

The photographer, George Platt Lynes and his group of friends, remain close to Cadmus and provide some support and a social environment.

 

 

Year Age Events
1946 41

Cadmus takes up with the young artist George Tooker.

He paints George Platt Lynes(39) as the Inventor.

The picture Fantasy on a Theme by Dr. S is an artistic commentary on Dr, Sheldon's theory of somatyping: that body type determines the personality. With Dr. S's system the trio of belly (sedentary), muscle (active), brain (intellectual) got measured on a scale of 1 to 7. Where 7:7:7 was the perfect person.

From 1945 to 1949 Cadmus works on the Seven Deadly Sins series. Shown in the second set of pictures below. These are really Venal not Deadly Sins. These sins send you to purgatory, according to Catholic doctrine, not directly to hell.

 

 Cadmus:

Fantasy on a Theme by Dr. S.
1946
Egg tempera on pressed wood panel,
13½ x 11 in
The Whitney Museum of American Art
New York, NY, US

    

Cadmus:

Inventor
1946
Egg tempera on pressed wood panel,
7¼ x 9 in
Collection: James and Barbara Palmer

Cadmus:

To E. M Forester
c 1946
Black and white egg tempera on tracing paper,
4 x 6½ in
Collection: Mr. and Mrs. John Whitney Payson

 Cadmus:

What I Believe
1947—48
Egg tempera on pressed wood panel, 15¾ x 26½ in
Collection: Robert L. B. Tobin

Cadmus:

Playground
1948
Egg tempera on pressed wood panel
23½ x 17½ in
Georgia Museum of Art
University of Georgia
Athens, GA, US

 

 

 

The Seven Deadly Sins

1945 — 1949

Egg tempera on pressed wood panel
23½ x 17½ inches.
Metropolitan Museum of Art
New York, NY, US

 

Cadmus: Lust - Seven Deadly Sins

Lust
1945

Cadmus: Pride - Seven Deadly Sins

Pride
1945

Cadmus: Anger - Seven Deadly Sins

Anger
1947

Cadmus: Envy - Seven Deadly Sins

Envy
1947

Cadmus: Sloth - Seven Deadly Sins

Sloth
1947

Cadmus:Avarice - Seven Deadly Sins

Avarice
1949

Cadmus: Gluttony - Seven Deadly Sins

Gluttony
1949

 

 

1947 42

E.M. Forester visits the US and stays with Cadmus.

Cadmus does several pictures based on Forester's ideas. (See What I Believe, To E.M. Forester, Foresters' portrait and The Tower. All shown below) They remain friends until Forester's death.

1949 44

Cadmus does a European tour with George Tooker. Stays with E.M. Forester in Cambridge

Does Forester portrait.

1950 45

George Tooker and Cadmus drift apart. Tooker soon finds a permanent partner: painter Bill Christopher (1924-'74).

George Platt Lynes moves to Hollywood, California to try his hand at movie studio star photography. This leaves Cadmus pretty much alone.

 

     

 

 Cadmus: E.M. Forester

E. M. Forester
1949
White and sepia watercolor on gray paper,
10½ x 8½ in

Cadmus: Architect

Architect
1950
Egg tempera on pressed wood panel,
16 x 16 in
Wadsworth Athenaeum
Hartford, CT, US

 Cadmus: The Bath

The Bath
1951
Egg tempera on pressed wood panel,
14 x16 in
Whitney Museum of American Art
New York, NY, US

Cadmus: Manikins

Manikins
1951
Egg tempera on paper,
13 x 16 inches
Collection: Don Hill

Cadmus: The Nap

The Nap
1952
Egg tempera on pressed wood panel,
13 x 16 inches
Collection: Robert L. B. Tobin

 

1951 46

Jared and Margaret French are living in Rome. Cadmus moves to Europe, staying primarily in France and Italy.

Cadmus art begins to get a more overt homosexual theme. The Bath (above) only hints at it. but Manikins is explicitly political. The Nap's subject matter, the male body, and Cadmus growing interest in drawing the male figure begins to predominate his ar t.

1952 47 Paints Finistère. Returning to the theme of bicyclists and sex. Finistère is a prominence in Northwestern France. Translated from Latin the name means land's end. It has long been famous as a place that is very remote. Chaucer even uses it that sense in the Canterbury Tales.

 

 Cadmus: Finistere

Finistère
1952
Egg tempera on pressed wood panel,
10 x 13
½ in
Whitney Museum of American Art
New York, NY, US

 

1954 49

Cadmus returns to US to live in NY. George Platt Lynes dies of lung cancer. Bringing this one time close friendship to a disastrous close.

Cadmus finds there is a market for male drawings and that painting pictures and doing etchings can be dispensed with and one can live off the drawings. This change occurs slowing throughout the remainder of the fifties.

 

Cadmus: [drawing] Male Model (Michael Kan) MK 3

Male Model (Michael Kan) MK 3
c1953
Casin on hand toned paper,
11¾ x 13 in
Private Collection

Cadmus: [drawing] Male Model (Michael Kan) MK 4

Male Model (Michael Kan) MK 4
1953
pen and black ink,
36 x 22 cm
Fine Art Museums
San Francisco, CA, US

Cadmus: [drawing] Male Nude MF5

Male Nude MF5
1954
Pencil and pink casein on hand toned paper
14 x 11 in
Art Museum
Montclair, New Jersey

Cadmus: [drawing] Ted Leaning on a Ladder TS12

Ted Leaning on a Ladder TS12
1954
Egg Tempera on hand toned paper
17¾ x 11½ in
Private collection
Wyndmoor, PA, US

 

Cadmus: Bar Italia 

Bar Italia
1955
Egg tempera on pressed wood panel,
37½ x 45½ inches
National Smithsonian Museum of American Art
Washington DC, US

 

 

1955 50

Drawing on his post-war European travel experiences Cadmus paints the first of the very large masterpieces Bar Italia: 4 ft wide and 3 ft tall.

At the same time he begins painting still life drawings. This holds his interest for several years but then settles on concentrating on the male nude.

 

Cadmus: Night in Bologna (Night Scene) 

Night in Bologna (Night Scene)
1958
Egg tempera on pressed wood panel,
50½ x 35¼ inches
National Smithsonian Museum of American Art
Washington DC, US

 

 

1958 53

Paints Night in Bologna. His second large sized masterpiece.

This picture shows a desire triangle with no one getting what they want. This probably reflects some of the loneliness Cadmus was having at the time.

1960 55

Cadmus does another large painting: The Tower. He is clearly thinking of his friend E.M. Forester.

 

Cadmus: Curlicues

Curlicues
1955
Egg tempera on paper,
9 x 13 in
Museum of Art, Smith College
Northampton, MA, US

Cadmus: Studio Stuff

Studio Stuff
1958
Egg tempera on Whatman board,
10 x 13½ in
Private Collection

Cadmus: Apple Peeler

Apple Peeler
1959
Egg tempera on Whatman board,
15 x 7 inches
Modern Art Museum
Fort Worth, TX, US

 

 

Cadmus: Sunday Sun

Sunday Sun
1958-59
Egg tempera on gesso panel,
30½ x 10¼ inches
Collection: Rodger Arvid Anderson

Cadmus: The Tower

The Tower
1960
Egg tempera on pressed wood panel,
35 x 19 inches
J. B. Speed Memorial Museum
Louisville, KY, US

 

 

 

More Paul Cadmus pictures and bio in the pre-war period.

More Paul Cadmus pictures and bio in the cold war period.

Post WW II
North American Art

2004-09-27