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born: Philadelphia, Pennsylvania; 16 July 1883
died: Dobbs Ferry, N.Y.; 7 May 1965
American painter who is best known for his precise renderings of industrial forms in which abstract, formal qualities were emphasized.
Sheeler studied at the School of Industrial Art in Philadelphia
and then at the Pennsylvania
Academy of Fine Arts. He contributed six paintings, mainly still
lifes, to the New York Armory Show of 1913.
To make a living, Sheeler turned to photography about 1912.
Initially he worked on assignments from Philadelphia architects.
He moved to New York City in 1919 and the next year collaborated
with the photographer Paul Strand on a film, Mannahatta, a study
of the buildings of the city. During the early 1920s he received
recognition for both his paintings and his photography. In 1927
he made an outstanding series of photographs of the Ford Motor
Company's plant at River Rouge, Mich. This assignment was followed
in 1929 by a series on the Chartres cathedral, France.
One of his best-known pictures, "Upper Deck" has been acclaimed for its pristine, geometric surfaces. "Rolling Power" is another major work, which emphasizes the abstract power of the wheels of a locomotive. Sheeler also treated architectural subjects in his abstract-realist style. His later works tended toward a less literal rendering of their subjects.
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Central Park |
Canyons |
White Sentinels |
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American Landscape |
Suspended Power |
River Rouge Plant |
| Fugue |
Converstaion
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Rolling Power |
Stairway to the Studio
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Yankee Clipper |
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Pertaining to Yachts |
Visit the post War Sheeler Gallery with 8 more pictures.
Pre-WW II Art
North American Art